Admiral Quality SCAMP v1.3.1 Incl.Patched and Keygen WiN/MAC-R2R

Soft / VST Instruments 18-05-2017
Admiral Quality SCAMP v1.3.1 Incl.Patched and Keygen WiN/MAC-R2R
SCAMP is a resonant low/highpass filter plugin VST and Audio Unit effect for Windows and Mac OSX with a very convincing, classic sound. SCAMP features a separate envelope follower for each of 6 channels, a hostsyncable LFO with multiple waveforms, as well as our special feature for creating staircased LFO waveforms from the basic waveshapes. Also supported is full automation support and MIDI CC control of the filter cutoff frequency. SCAMP will run for an unlimited time in a free Demo Mode (the only demo restriction is it will make occasional, short gaps in the output audio) and is available for download exclusively from www.AdmiralQuality.com

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Soft / VST Instruments 4-08-2016
Classic Lo-fi digital delay
HoRNet HDD-1 is an emulation of the very first guitar pedal digital delay.

This guitar effect is born at the beginning of the 80s when digital become affordable and has some interesting usage as delay and effect unit.

The internal ADC is a 12bit one that stores the sampled data in some RAM banks, but the level, feedback and the rest of the circuit is completely analog. This kind of scheme allows for some funny low fi effect as the signal is degraded more and more each time is resampled in the feedback loop. In addition to this, the frequency response isn’t flat at all with a sharp cutoff at 7kHz and the pre-emphasis and de-emphasis filters that plays an important part in the tone of the plugin.

We also recreated the analog saturation characteristic and hiss of the original effect, as with every plug in we make hiss and saturation can be turned off separately.

The stereo mode can be used to create a fake stereo effect, this is a guitar pedal so is mono in its nature, but turning stereo mode on puts the dry signal on the left channel and the wet signal on the right. When the effect is set to the 12.5ms – 50ms the delay time is so short that it actually creates a sort of fake stereo using the Haas effect.

The "Hold” mode records the last milliseconds of sound (from 200ms to 800ms) while the effect is not turned on and repeats them when the delay is activated.

To be more helpful to DAW users we also added a ”sync to host tempo” feature that syncs the delay to the specified number of 16th.

Features:
- Delay times from 12.5ms to 800ms.
- Adjustable effect level, feedback and delay time.
- Hold mode repeats from the last 200ms to 800ms.
- Analog emulation.
- Stereo mode.
- Tempo sync by multiples of 16th.
- Mac OS X (>=10.5 intel only) and Windows support
- 64bit compatibility both on Mac and Windows
HoRNet WahWah VST VST3 AU RTAS AAX v1.1.0 OSXWiN RETAiL HoRNet WahWah VST VST3 AU RTAS AAX v1.1.0 OSXWiN RETAiL
Soft / VST Instruments 22-04-2017

The HoRNet WahWah is a digital replica of a vintage effect from the 70s made famous by guitarist and keyboard players around the world. This pedal represent a real signature sound for funky music and is an essential tool in every guitar player setup.

The effect is created using a resonant band pass filter, the pedal changes the frequency of the resonance and creates the typical "wah” sound. Due to the simplistic design of the circuit the Q of the filter and its gain is not constant and both get gentler when the pedal is completely pressed down, also the filter resonance is obtained through a feedback in the simple transistor amplifier and creates different level of distortion at different filter frequencies, this gives the effect a distinct sound that can’t be achieved with modern designs (and in fact after many years this kind of wah effect is still one of the favorite of many musicians).

We faithfully recreated the sound of the pedal starting from the analysis of the circuit diagram, then simulated it and measured the response. After having created a very good sounding wah effect by itself we added an envelope follower that will let you modulate the "wah” sound with attack and release set independently so you will be able to have a sort of "auto wah”. The modulation happens relatively to the current pedal position so you can get many different kind of sound, from the mid low "woh” to the screaming high "wah”, of course you can set the modulation level from "none” to "full”. As with any of the HoRNet Plugins the analog saturation given by the internal transistor amplifier can be turned of if you want a cleaner sound (but you probably won’t since it’s really cool and an important part of the effect sound).
FilterCrusher Dual Tube Filter VST AU Plugin WIN OSX-iND FilterCrusher Dual Tube Filter VST AU Plugin WIN OSX-iND
Soft / VST Instruments 8-06-2016
FilterCrusher is a dual filter effect built around a tube simulation circuit which is based on Audio Assault’s superb commercial tube amplifier plugin GrindMachine. FilterCrusher was developed by Audio Assault. The plugin is released as a 32-bit and 64-bit VST/AU plugin for Windows and Mac.

FilterCrusher features a pair of resonant filters (high pass and low pass) which operate individually. Due to their transparent sound at the lowest resonance setting, the two filters can be used for cleaning up the top and bottom end of audio tracks. At higher resonance settings, they can be used for various creative purposes such as filter sweep effects, boosting certain regions of the frequency spectrum (e.g. adding more thump to bass drums), emulating the frequency response of analogue circuits, etc.

At default settings, the effect of the tube circuit is fairly subtle and almost completely transparent. To add a bit of tube saturation to the processed audio signal, increase the input gain and then lower the output volume to prevent clipping. You’ll hear the effect of the tube emulation algorithm which "warms up” the audio signal and slightly compresses the dynamic range. This kind of effect sounds particularly well on drum loops and it can also add a bit of life to dull synthesizer sounds.

Features
Adjustable 12 dB high and low pass resonant filters.
Modeled tube circuit.
Subtle and "crush” modes.
Zero latency.
Optimized for low CPU usage.

Cytomic The Drop v1.0.16 Incl Patched and Keygen-R2R Cytomic The Drop v1.0.16 Incl Patched and Keygen-R2R
Soft / VST Instruments 11-12-2015
The Drop is an analog modeled resonant filter plug-in. It uses the same high quality algorithms used in circuit simulation packages but optimised for real time use. There is a huge level of detail in the models, which gives them amazing drive and tone. As well as the detailed circuit models more efficient algorithms are included for situations where CPU considerations are more important than tone, but even these models are of the highest quality.

Features:
Dual filter section with a Highpass followed by a Lowpass filter.
7 Highpass and 7 Lowpass circuit modelled filters from classic synths.
Loads of drive and character.
Full frequency range and perfect resonance tracking without oversampling so there is no delay for live use.
Huge amounts of resonance, also a resonance limit button for DJ use.
Two LFOs, one basic, one powerful with step sequencer for levels.
Two Envelopes / Followers, diode modelled, from input or sidechain.
FM from input or sidechain.
Stereo and Mono processing.

Side Notes:
R2R has decided to release some of their earlier INTERNAL releases to the public today
Enjoy
Lindell ChannelX (All) OSX Plugins-0RGan1c Lindell ChannelX (All) OSX Plugins-0RGan1c
Soft / VST Instruments 19-11-2015
The Channel X bundle contains the 3 plugins :

6X-500 preamp / filters plugin
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Key features
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Faithful hardware circuit emulation of the Lindell Audio 6X-500 Module
Passive Pultec Equalizer
Transformer Balanced Input and Output
Precision 5 Slopes Low Pass and High Pass Filters
Analog Warmth and Non Linearities

Comp

Faithful hardware circuit emulation of the Lindell audio 7X-500 module
FET feedback compressor with classic 1176 sound
Mix control for parallel compression
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Transformer balanced output
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EQ

Faithful hardware circuit emulation of the Lindell audio PEX-500 module
Pultec Style Equalizer
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Analog warmth and non linearities
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VST : 32 bits, 64 bits
VST3 : 32 bits, 64 bits
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RTAS
Cytomic The Drop v1.0.6 WiN x86 x64 V.R-Based Patch Cytomic The Drop v1.0.6 WiN x86 x64 V.R-Based Patch
Soft / VST Instruments 20-10-2015
The Drop is an analog modeled resonant filter plug-in. It uses the same high quality algorithms used in circuit simulation packages but optimised for real time use. There is a huge level of detail in the models, which gives them amazing drive and tone. As well as the detailed circuit models more efficient algorithms are included for situations where CPU considerations are more important than tone, but even these models are of the highest quality.

Feature Summary

Dual stereo resonant filter with a Highpass into Lowpass
Seven different detailed circuit models
Stereo and Mono processing with either 2 or 4 poles
Loads of drive and character
Full frequency range and perfect resonance tracking without oversampling so there is no latency in processing
Huge amounts of resonance if you want and also "Safe" button for DJ use where screaming self oscillation is not desired
One basic and one advanced LFO capable of audio rate stereo modulation
Two analog modelled AHR envelopes that double as envelope followers, one for the cutoff and one for amplitude
FM from main audio input or sidechain audio input
DSP coded using C++ and SSE2, Interface coded using the Juce framework (C++)
Password protected copy protection

Circuit Modelling and DSP

Cytomic uses the same circuit modelling techniques that are used in professional circuit simulation packages but optimised for real time use. The structure including all feedback loops and useful non-linearities of the original circuit has been preserved. The algorithm uses actual values for resistors, capacitors, diodes, transistors and other circuit components. The voltages and currents are solved in real time and match as closely as possible to the analog circuit in both the time and frequency domains.